Sequence Design: How to Build Pressure That Actually Turns the Story
Scenes don’t carry a story. Sequences do. This lesson breaks down how to structure narrative momentum that escalates and turns—so your story doesn’t just move, it changes.
What O’Connor Designed: Sequence in “A Good Man Is Hard to Find”
O’Connor didn’t build scenes—she built a sequence. This breakdown shows how escalating structure, not shock or sentiment, drives the story’s moral turn.